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Infinite [Howl ST]

Kalen, Sid, ST Scene

Kalen Holliday

[Nightmares]
Dice: 6 d10 TN7 (2, 4, 4, 8, 8, 9) ( success x 3 )

Demiurge

Alright before we get started! Here is what you can expect from this scene and what I need from you guys to make it awesome.

1: There are two parts to this. The first is a group intro to kick off the story, then there will be a big transition post from me, at which time Kalen and Ian's involvement will no longer be required and this scene will become ALL SID.

2: Do anticipate memory manipulation. Although I will say that it will not be especially traumatic or invasive in nature. Nonetheless, if that bothers you (it is an understandably sensitive issue) you still have time to back out before we begin.

3: On that note, once we pass the point of no return on this scene, your character will be neck-deep in this SL. So be prepared for that and again, if you feel iffy, you can change your mind any time before that point.

4: There will be combat in the second half of this scene, just FYI.

5: There's just a couple of us in this one so I don't think we need to worry about time limits on posts. I do, however, ask that we stick to a posting order. If I have nothing to add and want you guys to keep going, I will let you know. And if you want to make an extra post quick before I finish typing something, just ask (and I will probably be fine with it.) I just prefer that everyone knows whose turn it is to post at what time.

6: If anything happens that you find triggering or upsetting, let me know. That probably will not happen in this scene, but this is just a general policy. Your emotional well-being is important. <3

7: If you have questions about anything relating to the scene, whether it be dice mechanics or narrative or whatever, please feel free to ask. I may not respond right away if I'm typing something or answering another question, but I will get to it as soon as I see it. If you have a question about something unrelated to the scene, I prefer it if you save it for another time when I am not actively running something.

8: Did I mention 'have fun?' Yes I think I did. I will say it again anyway.

Demiurge

It was barely 10pm on a friday night. Early enough that the club crowd at most of the popular night spots were only just starting to filter in. The air outside of Infinity, LoDo's newest (and hotly anticipated) nightclub had a sense of electric anticipation as people lined up outside the door, waiting to be allowed entrance. It was opening night. None of them had been inside this place before, but the word on the street hinted at state of the art technology.

Want to go dancing?

Ian and Kalen came together, meeting in the parking garage nearby. When Ian got out of his car, he grinned at Kalen like their awkward encounter at the lake hadn't even happened, and threw his arm around Kalen's shoulder companionably as they walked out onto the street. "You look nice."

An off-hand compliment, but a genuine one nonetheless. Ian, of course, looked gorgeous. He had on a black t-shirt and tight jeans that gave off a shimmer where the light hit the fabric (the wash had a space-age name that Ian would claim not to remember. Moon-something.) A couple of leather bracelets adorned his wrists, and he played with one (it was blue and had a steel infinity symbol braided into the leather - how appropriate) absently while they stood in line.

Sid Weston

Sid is, perhaps surprisingly, one of the people already waiting in line to get in.  She is not alone, nor is she with a gaggle of females of an appropriate clubbing age group.  She is, perhaps also surprisingly, among a small number of her coworkers.  There is a trope that says that scientists are nerds who would rather lock themselves into their labs or in a library.  They don't go to clubs, they don't have fun like the normals do.

This is, obviously, not true.  Also, Sid is the only scientist in the group.  There's Don and Dawn from Accounting (good luck calling out to either of them ever, they don't answer to their last names), and then there's Alice from Human Resources.

And then there's Sid.  She's wearing a sleeveless cream t-shirt with a scooping collar that can't help but expose the line of her cleavage.  Her skirt is purple and black, the pattern like some far off nebula in a distant corner of space; it is light and loose, shifting and swaying with every movement.  Her shoes are black ankle boots, and she's wearing black black knee-highs.  Her hair is down and the only accessory she has on is the necklace she wears.  The pendant is round, a little larger in diameter than a quarter, with a design of yellow and orange and a bit of green (for those who know what they're looking at, it's a solar flare).  Her hair is down, spilling over her shoulders in a tumble of dark red waves.  The keen eye can see the tattoo inside her left wrist, perhaps the long straight scar on the outside of that same forearm.  One doesn't have to have the eyes of an eagle to see the ink on the backs of her forearms, though.  The black stands out stark against her pale skin.  They look like feathers.  Like wings trailing down but stopping just at her elbows.

She has out her phone.  She is looking at her phone and she is paying only cursory attention to the people she came here with.  Truth is, she intends to lose them the moment she steps through the doors.  She intends to lose a lot of the things weighing her down like shackles and chains when she steps through those doors.

How different she is from a year ago.  A year ago she followed fretfully behind someone else, hand clutching at a shirt to keep from losing them in a crowd.  She was quiet and fearful and so many other things and now?  Now she looks restless, shifting her feet where she stands (stamping them, almost, like some wild inhuman creature, like an animal waiting to step back into her forest).

[passive awareness]
Dice: 7 d10 TN6 (3, 5, 7, 7, 8, 10, 10) ( success x 5 )

Kalen Holliday

Kalen, who is, at least in contrast with Ian, markedly less pretty and less graceful, laughs at that.  He is wearing grays again, gray jeans that are only snug to the thigh (because have you ever tried to kick someone in fitted jeans?  It can be done, but why?) and a silvery tee-shirt that has just a hint of a purple tint to it.  It makes the fact that his eyes are green a little more apparent, though they still barely register as having color until you get close to him.  He has no illusions about which of them is prettier, and he's already claimed he's going to use that to his advantage in a tactical sense so no one will notice he's horrible at dancing.

If Ian doesn't want to address the night at the lake, so be it.  As if there has never been anything else to what they do, Kalen leans, lightly and briefly, into Ian when he drapes an arm around his shoulders.  He doesn't stay like that, but he doesn't shrug off Ian's arm at all.  He only has so much willingness to surrender things like balance with so many people here on the street.

"You should be glad I won the argument about the eye liner.  So unnecessary...."

His eyes sweep over them, not so much suspicious, but Kalen is wary.  This is a relatively calm survey.  It isn't as though club openings are generally demon summonings in disguise.  But leeches. Some of them like nightclubs.  Predators more mundane in nature too, really.  They make for good hunting grounds.

[Awareness]
Dice: 7 d10 TN6 (1, 3, 6, 7, 9, 9, 10) ( success x 5 )

Demiurge

[Awareness for Ian]
Dice: 5 d10 TN6 (2, 6, 6, 8, 10) ( success x 4 )

Demiurge

"Eye-liner would look a bit dramatic on you." The look Ian shot Kalen was wry and slightly teasing. "You're so pale."

Ian wasn't wearing eye-liner either, but it certainly wouldn't have been a stretch to imagine him with it. There were enough pictures to be found of that nature if one simply googled his name.

The crowd outside the club was mostly of the more mundane variety. Apart from Ian, Kalen and Sid, there was no hint of unique resonance to draw the attention of the aware. Nonetheless, the three of them were more than alert to the presence of each other, and it didn't take long for Ian's eyes to land on the back of Sid's head. On her hair - red enough that she was difficult to miss, even in a crowd, and even if he hadn't sensed her halfway up the street. She was an unfamiliar entity to him, and he tipped his head lightly in curiosity and asked Kalen in a low murmur. "You know her?"

The progression of the line was not nearly fast enough, but it did finally begin to move. A man and a woman stood at either side of the doors, checking IDs and nodding people through. The cover fee was waived for opening night, so when Sid and her companions reached the entrance, they had only to prove they were of age (which clearly they were.) Inside, the building opened up into a spacious, two-story room. The main bar lay to the right, sleek and modern and finished with black glass and tall stools, but most of the first floor was dedicated to the dance area. A DJ was set up on a low stage at the back wall, and once the doors opened, a steady feed of trendy electronic music began to play over the sound system, permeating the air and vibrating through the floor.

And the floor was made of that same black glass. Dark and liquid-shimmery, like walking on water. The walls, too, were coated in dark glass plates. And once the music started playing, streaks and whirls of color began to dance across the panels. The images shifted with the music, sometimes abstract, other times identifiable as fire or water or some other specific image. A flock of white swallows soared around the room, up over the ceiling and down, dancing across the bar before they disappeared.

The glass - everywhere - it was all screens. Imagine watching a movie in this place.

Sid Weston

Sid had noticed the sense of a storm coming.  It does not feel like the intermittent showers from earlier in the day, the sort of quiet things that spit cold rain for a few minutes before sailing on to darken someone else's day.  It is more focused.  It comes with a familiar charge, a feeling like lightning and thunder aren't far behind.  This is a feeling she more or less knows and so when she felt it she'd lifted her head and looked back to see Kalen.  Then her dark eyes shifted to the one beside him, an unknown.  But then of course he's unknown.  These days Sid's more a stranger than even the newest Awakened to the city.  Is it any wonder she wouldn't recognize the sly and elegant cat sliding among the sheep like a human-shaped shadow?

They had not held her attention.  After the other day that might not be terribly surprising to Kalen.  So, they come upon a woman who feels like growth, like the desperate struggle and unending happiness of life, and they see the back of her head and the backs of one of her arms as she moves forward a space, two spaces.  At the door she shows her identification to the bouncers (Amelia Weston, 2515 S Gilpin, so on) proving that she is well above the drinking age.

And then she goes inside.  It's easy to lose her companions.  After they check their effects they want to go to the bar, get some alcohol into themselves to loosen their straight laces.  Sid?  Sid heads for the dance area.  Any hope she had of losing herself has fled her, though.  As she moves through the crowd she can't help but glance back once, twice, just every so often to see if Kalen and his companion are there.  She is pretty sure Kalen isn't going to try to have that talk with her in the middle of a noisy club, but he's a Hermetic and everything Sid's ever heard about them leads her to believe they are not above finding any time or place appropriate for a debate.

She keeps to the side, then.  Her arms are wrapped around herself, and for the time being she watches the screens and the images that swirl and play across the walls and such.

Kalen Holliday

There is something about Kalen that is different when he's out like this.  It shows in the way he leans in and seems like he is already half breathless with delight to murmur into Ian's ear.

Some things about him are not fluid, cannot be washed away with time or rain or blood.  He cannot help but be wary.  He cannot forget that the safest, most well defended home he has ever known was reduced to smoldering ruins.  Some tragedy, some knowledge, some light cannot be forgotten.  And he might be different when he's in a space where he feels he should be teaching and protecting and being like the fucking mystical knight he was trained to be - but this...this is different.

This is more like a time before that.  There was a lot more time out with people then, and there have been times since when stars and planets and fate aligned and Kalen has been tumbling into clubs and abandoned warehouses and normally empty stretches of deserts with tangled masses of people.  With people who he has accepted not as peers or equals but as mentors and lovers and who conjure up completely different parts of him.

Strike a prism with light from a different angle and everything is different, even if the prism itself is unchanged.

So he doesn't immediately take to searching out predators or exits or even Sid.  No, his eyes track colors and birds made of light with nothing but wonder.  Sure, after that completely off-guard thirty seconds of being lost in sound and color and light he checks for where the exit doors are and where Sid is in relation to them.

He does not chase after her though, once he knows where she is, he turns back to Ian, laughing.  "Can I already be in love?"  He reaches out to lay a hand to lay across Ian's lips, eyes practically glowing.  "Not with you.  With this."  And then he takes his hand away from Ian's face.

Kalen Holliday

[To Ian]

"She's in my cabal.  But she probably doesn't want to talk to me right now.  I've been driving everyone off this week.  Maybe.  A little."  The tone, despite the actual meaning of the words, is light.  Not playful, because he regrets that enough he doesn't make it sound amusing, but he's not going to focus on that right this second apparently.

Demiurge

Whatever it was that Kalen murmured into Ian's ear while they waited in line, it resulted in Ian giving Sid another, more considering gaze. He didn't react to the confession with judgment, likely because he didn't have much place to judge how other people managed their social circles. And he let the subject drop, watching Sid's red hair disappear through the door.

A few minutes later, the two of them finally made it inside, and although Ian's reaction to the club was less outwardly enthusiastic than Kalen's, it was clear that he approved. His eyes tracked the movement of images on the dark panels with pleased appreciation.

This was not a club for people who wanted to sit on couches and drink wine (though the second floor did host a selection of more comfortable seating.) It was a club for people who wanted to dance.

Ian's lips parted slightly beneath Kalen's hand, his breath warm and familiar against Kalen's fingers, and he raised an eyebrow at Kalen's phrasing (can I already be in love?) but he knew what those words meant - and what they didn't.

"Thanks for clarifying," he said in a dry, lightly amused tone.

No one was dancing yet. That was the thing about clubs. There was always that point early in the night when no one wanted to be the first person on the dance floor. Here, the delineation between the dance floor and the rest of the club was a bit fuzzy, and a number of people had begun to filter towards the stage where the DJ stood, testing out the reactivity of the floor panels with delighted expressions as light bloomed elegantly beneath their feet.

A few of them swayed a bit or bobbed their heads. But no one was really dancing. So this is what happened: Ian broke away from Kalen and jogged to the center of the room. Then he turned around and beckoned first Kalen, then Sid (if she chose) to join him.

The song changed. Phedre's In Decay started playing. Upbeat and a bit macabre. And Ian started dancing, because he did not mind at all if he was the first one. He usually was.

[Dex+Performance]

Dice: 8 d10 TN6 (2, 2, 2, 3, 3, 3, 5, 6, 10) ( success x 2 ) Re-rolls: 1

Sid Weston

Not all that long ago, if a stranger with resonance hanging around them like a cloud beckoned to Sid like that she would have - well she would have left before she even got through the door.  Head bowed, shoulders hunched, and a desperate hope that her posture plus her attempts to play down her appearance would mean she would be forgotten.

Tonight, Sid is watching the images on the screens when someone else asks her to dance.  It's Dawn from Accounting, Sid should have known she'd be found quickly.  Maybe she did.  One doesn't "hide" quite so plainly in sight.  Sid shakes her head, leans over to the woman to say something close to her ear - her quiet voice wouldn't be heard otherwise.  Dawn gives her an uncertain look.  Sid nods, lifts her gaze past the woman to where she can see the rest of their group hanging around, watching the people rather than the screens.  Dawn looks back over her shoulder, looks back at Sid.  With a disapproving shake of her head she turns and walks away.

Sid watches her go.  She should feel bad but she doesn't.

The song shifts and she looks back to see Kalen's companion beckoning to her.  She does not frown and she does not shrink in on herself and scurry away.  Her gaze shifts to Kalen, watching to see what he will do, what he does do.  Her expression can only be described as blandly curious.  Like she's watching through a microscope to see who a biological substance reacts to an unfamiliar chemical agent.

That doesn't mean she doesn't move to the floor to dance.  It just means she doesn't go over there.  Sid slips through the crowd to some corner out of the way, someplace where people are only just starting to get into the groove and start to move.  Closing her eyes, she lifts her chin and it seems for a moment like she should be shaking out that mane of hair, a set of massive and widly branching antlers lifting up with her head, bits of green things tangled in their deadly points.

But no.  Wait.  There are no antlers.  She is just a woman (just a woman?) in a crowd of people, losing herself to the rhythm for a little while.

[how does Sid fare?  dex+performance!]
Dice: 6 d10 TN6 (1, 3, 5, 7, 8, 10) ( success x 3 )

Kalen Holliday

They met in a club, Kalen and Ian.  They met in a club and they drank incredible Scotch and they did not dance.

Kalen could not dance then.  Could not find some socially acceptable ways to be writhing and alive and twining in and out of someone else's space until there was only one pulse between them and it was dictated by the sound that framed them.  Until it seemed like there was something intimate and whole and holy about him and them and the whole of the cosmos.  As though everything could be cradled, suspended, and transformed by the sound.  The ritual.  The surrender to something primal and communal and perfect.

Even when they are falling down.  Even when the world is falling apart.  Perfect.

And so he comes to join Ian, to slide into and through his space.  He'll join Sid too, if she comes close enough for him to read an invitation into it.  Will join anyone who comes close enough.  He drifts back to Ian often enough.  But he doesn't have any desire to be nailed to his side.  He wants everyone.  Everything.  All the things.

He wants to feel all the things.  He wants to feel one with all the things.

[Does your crazy love for this get you anything like good at it...?]
Dice: 5 d10 TN6 (1, 3, 8, 10, 10) ( success x 3 )

Demiurge

[I'm pre-rolling this one so I know how to write this damn post. Performance again.]
Dice: 8 d10 TN6 (1, 2, 4, 5, 5, 6, 7, 8) ( success x 4 ) [WP]

Demiurge

There was an ease to the way that Ian moved when he danced that suggested that although he wasn't doing anything overly impressive at the moment, this kind of movement was as familiar to him as walking. As breathing. But this wasn't about showing off. He was here for the same reason Kalen was - to have fun. To relax. To be among all this life and energy. The music played, and he rolled the muscles in his torso as he moved in a circle, beckoning the others to join him.

And they did. Because that was usually all it took to open the floodgates. One person, then two, then ten. Pretty soon the attention of the crowd wasn't on him. It was hard to look at any one person in particular when the room itself was so beautiful. And each of them set off a light show beneath their feet, until soon the floor was alive with dancing swirls of luminescence.

Sid and Kalen may not have had the experience that Ian had, but in their passionate abandon, they became even more beautiful. The energy proved infectious among the crowd, and soon it was hard to tell where one person ended and another began. Minutes passed, and people filled the room, dancing and laughing and brushing up against each other's patterns. Ian let Kalen dance as he pleased, and both of them blended with the crowd. Except that none of them (not Ian or Kalen or Sid) could ever really blend in the way the other people could. To someone with the right senses, they stood out. They glowed.

But see - Ian did not let Kalen forget who he'd come there with, because when the song changed again Ian slid into Kalen's space, kissed his neck with a light scrape of lips and teeth and tongue, and then proceeded to fall into a series of loose, fluid motions that took him in a vivid circle around Kalen's space, before falling back onto the floor (fire like a tiger's eye blossomed beneath his hands,) and bouncing back up with a snap of his spine.

(As though to say: don't forget to save the last dance.)

Suddenly, the panels began to glow. From black to white, brighter and brighter all over the club like staring into the face of the sun. At first, no one paid it any mind. People cheered. They thought it was part of the show.

Then the music got louder. It morphed and shifted and spiked into a nearly inaudible electronic pulse.

The energy in the room changed. Something was there with them. Even the Sleepers could feel it. Infinite. Omnipresent. Demiurgic. It was like the light flooding the room - so strong it was near-blinding.

A person could not be faulted for imagining God there, in the flow of life and energy and electronic signals that moved through the room.

Sid Weston

There are people who look at Sid who think that looking at Sid is to know all there is about Sid.  She is quiet.  Not timid, not fearful (not anymore), simply quiet.  Her presence in a room is a gentle glow, a faint warmth.  She kept to herself before and she keeps to herself now and she is quiet and studious and such a nerd I mean come on lead scientist at a pharmaceutical company.  She could only be a bigger nerd if she actually dressed the part (something she will never, can never do).  People like that, if they dance, they are stiff because it's simply not something that they do.  The studious quiet nerds, they don't go out to clubs and they don't dance and they don't enjoy life the way most others do.

Sid is not most other people.  She never was, she can never be.  The people who look at her don't know her half so well as they'd like to think.  They have never heard her lift her voice in song.  Few have seen her dance and fewer still have seen her allow herself to get lost in the crowd, the music, the rhythm.

Kalen and Ian, should they look toward that corner of the room, they can see it.  Sid lifts her arms and lowers her chin.  She sheds the awkward amalgamation of Life Before and Life Now, and she slips closer to that Life Before.  She is closer to the youthful girl who was carefree, who pissed off her fellow students because she learned her limits and she lived just barely within them (because grades and scholarships and awards and please god let me get the hell out of Pittsburgh).  On the dance floor she is tall and ethereal, and she starts to lose that wariness.  She sheds it like a suit of armor and the core of her - strong and warm and a vibrantly alive - shines forth.

Somehow, she wouldn't know she's certainly not paying much attention, she ends up closer to the center of the floor.  She slides through the crowd like liquid fire, moving near one partner only to slip away to the next because who the fuck cares?  These people aren't going to hurt her.  She slips through the crowd, movements loose (free like the wind, free as a bird, people who look at her half expect those etched wings to peel from her skin to carry her away).  She does not quite reach Kalen and Ian before the lights start to go up up up.  Brighter and brighter until it threatens to blind her.

There are people who wonder if they are in the presence of God.  Sid is not one of them.  She belongs to a Tradition that follows paths older than the Christian God.  She stops dancing but she does not stop moving.  She doesn't want to be knocked down.  Squinting against the glare, she hums a note lost beneath the music and the murmurs of the people around her.  It's a note that she can feel vibrate in her jaw.  Using that as a guide, she alters her pitch until she feels connected to the Weaving.

[so she can Watch it!  Prime 1, practiced]
Dice: 3 d10 TN3 (5, 5, 7) ( success x 3 )

Kalen Holliday

[So, I actually need to see if this happens to know how to finish this post. Per/Awareness|Omens|Sensing Danger Specialty Activate!]
Dice: 7 d10 TN6 (4, 5, 7, 8, 8, 8, 10) ( success x 5 )

Kalen Holliday

Kalen is not so lost in being half-dissolved into the crowd that he forgets who he is here with.

Who could forget Ian?

Even when his teeth are not scraping over his skin, even when Ian is not tracing circles around his space in a way that hints at possessiveness and something of a circling predatory great cat, Kalen knows where he is.  He can sense him the same way he can sense Sid.  Tigers and storms and stags in some ancient green space.

Tigers and storms and stags in a forest of living bodies.

Tigers and storms and stags in a forest of light and sound.

And then the energy shifts.  Something godlike and ancient to match the forest spills over them.  Spills over them like rains and tides and dawn and shadows.  Before anything else, before wariness, before he searches out Ian and Sid, before he tries to figure out what is happening - there are a few seconds of sheer wonder.

One.

Two.

And then his eyes open and they are wide and they are still full of wonder and he is definitely aware but what he sees...what he sees in those few seconds is fragments of truths that lie under the surface of the world.  Like blood.  Like bones.

[Int/Occult|WP]
Dice: 6 d10 TN6 (1, 4, 5, 5, 5, 9) ( success x 2 ) [WP]

Demiurge

What Sid saw when she opened her senses was something out of her depth of experience. The threads of weaving were of a variety unknown to her - but god, were they ever beautiful. Vast and layered, a thousand streaks of glittering light moving around and through the minds of everyone in the room. Connecting them in a web. She felt it too - they all did - when those threads touched them. When the mind of that faceless omnipresent being reached out and wrapped its tendrils around their thoughts. That touch, it felt warm. It seeped into them like the sun. Like the light all around them.

And Kalen. When he opened his eyes, this was what he saw:

High on the wall behind the stage, a circle formed itself in the light. An image of two snakes: one black and one white, with red and green eyes, biting each other's tales. A two-headed ouroboros. And something about the eyes, the colors, the two snakes.... it rang with old familiarity. Of childhood and stories about fantastic lands that went on forever. Of heroes and horses and terrible storms and a wolf like something out of the deepest depths of a nightmare. Of the line between imagination and reality.

(Do what you wish.)

AURYN.

And then the faces in the crowd slowly turned and looked at him, and the awe and beauty of the moment jarred with a sharp crack of fear and old pain, like the memories of the dead that haunted his dreams. Because those faces were the faces of dead things. Corpses. Animated and hungry.

(Sometimes, the dead don't stay dead. Sometimes they haunt you. Sometimes they eat you alive. Sometimes they claim your life too - reach out and grab you and drag you down into the darkness.)

Most of the people just stood there, transfixed in awe and confusion. They didn't see the things that Kalen saw. Those things were for him alone.

But Ian, he shielded his eyes from the glare and shouted: "Run!"

Because beautiful or deadly, this thing in the room with them, it beckoned. And there was no stopping something like this. Might as well try to black out the sun.

It didn't matter. They were too late. The light was all around them, washing over them, blinding them, permeating the core of their hearts and minds. It reached in, and it took hold, and then....

Darkness.

Nothing.


10:00 PM


Location: LoDo, Denver, CO, USA

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