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Not just you anymore [Howl ST]

Kalen, Sid, ST Scene

Demiurge

It was nearing sundown at the chantry, and all around the property the late-summer insects were humming with twilight energy. The day had been almost oppressively hot, the kind of heat that drained a person's energy and left them feeling hazy and sluggish. Ian had returned from his most recent scouting mission and jumped almost immediately into the shower. Some days the cold water was a shock to the system, but on days like this, without the benefits of climate control, it was a welcome relief from the heat.

Last night, he'd spotted a couple of walkers near the edge of the property, but they were old and half-rotted and easy enough to dispatch. Today there'd been no sign of them. Yet. Maybe the vague sense of anticipation in the air was more a result of the waiting than anything else. Waiting did that. It made you almost hope for something - anything - to happen.

Now that he'd showered and eaten, Ian was sitting on one of the sofas in the living room, gazing out the windows at the horses in the pasture. They were romping around together, enjoying the respite from the day's heat as the sun set behind them.

What were they doing here, anymore? Did they intend to stay, or was this merely a rest-stop on the trail of some greater journey? No one had yet asked that question out loud. It was hard to know what to do when you weren't even sure how much of the world was real.

Kalen Holliday

[Nightmares]
Dice: 6 d10 TN7 (1, 2, 7, 8, 8, 9) ( success x 4 )

Kalen Holliday

Kalen, who has spent almost all his time inside in the library and definitely not in places like the living room, pauses there today when he sees Ian there.  He's had time to make at least some peace with what his memories are (and aren't).  He's had the chance to talk to Ian, at least.

And...that had gone alright.  Once.

It's enough that he stops and then, a bit hesitantly, makes his way toward Ian and settles on the same couch, but at the far end.  They're hardly in a place where they're in each other's space again, regardless of how their last conversation went.

"Hey," he says quietly.

Sid

Despite the heat, Sid has continued to recover from her four-day fast.  Still not quite up to the task of scouting again, she mostly remains indoors checking their supplies, or makes her way outside to check on the horses.  No one has asked what they'll do next, no one has made any suggestions.  But for Sid, real or not real as this world is, she doesn't intend to saty here forever.  For her, it depends on what Kalen discovers in the library, if anything.  He and Kalen came here for answers.  Sid had hers the moment their horses' hooves touched the property line.

At least she's clean again.  At least she's eating.  Ian doesn't have to watch her to make sure she doesn't topple over into something, though the trails she leaves when she walks barefoot through the grass are still meandering and shaky.

The day is oppressively hot and still Sid persists in wearing jeans with her t-shirt.  Today, when she makes her way downstairs, it's the first time she's seen Kalen since...since...The march of days has lost its meaning for her.  It's the first time she's seen him in a while, she thinks, and that makes her stop at the end of the hallway, just inside the living room.

"You're up," she says quietly to Kalen.

Demiurge

Ian glanced over when Kalen sat down on the other end of the white sectional. With only two of them, the space between the cushions felt wider somehow, and Ian inclined his head in a manner that seemed almost tentatively inviting.

"I was beginning to think you'd gotten lost in the cave." (By this, of course, he meant the library.) "I don't know what else you think you're going to find in there."

A moment later Sid appeared at the entrance to the living room, and Ian shifted into the corner of the sofa to regard her. To take in the state she was in that evening. She looked better. Perhaps not yet fully recovered, but more herself. After a silent pause, he stood up and made his way to the dining room, passing her as he went. "Anyone else feel like a stale beer?"

Kalen Holliday

Kalen starts to ease a little closer to Ian.  A few seconds later he goes very still when he hears Sid's voice.  He turns his head to look at her, and remains otherwise motionless.  Silent.

He does not retreat.  Not into Ian's space and not out of the room.  He does not attack either.  It takes a few slow breaths to remind himself that Sid has done nothing to warrant such a response.  Not in this conversation.  Very slowly he turns to look at her.

Bridging distance is not what he's good at.  He can maintain distance and broaden distance and occasionally fall through distance like a meteor.  Bright.  Burning.  All gravity and impact.

“Hello, Sid,” he says.

And then Ian is moving and Kalen is shaking his head about the beer.  “No.  Thank you.”

Sid

Bridging distance isn't something Kalen's good at, nor Ian.  It's something Sid could do in the time Before, but became a lost knowledge in the After.

Until the other day, when an epiphany finally roused her from a growing lethargy.

There is a distance between the Hermetic and the Verbena.  Maybe it was always there, maybe recent conversations pushed it into place.  Maybe Sid finally managed to shine light on it in such a way that Kalen noticed.  Distance doesn't mean separated, though, and however infinite the gulf between them may seem, Sid knows that they're connected.  They are connected by this place and by what's happened to them and by little moments in their shared history before this place happened to them and Sid is closing the physical distance between them.  She heads for the couch, for Kalen's corner of the couch.

"I'd like one," she says to Ian.  And unless Kalen rises, Sid settles down on the couch, her warmth pressed in against his side.

Demiurge

In another life (not even that long ago - but somehow so very far removed from this one) Ian had not really been known to drink a lot of beer. (Just as he had not been known to eat coffee-house danishes or pizza or any number of other things.) Certainly he would never have touched a beer that was old and warm and of less-than-notable quality. But one made due with what one had, and right now, what they had was stale Corona. He'd picked it up at a gas station the other day, although he probably needn't have wasted the space in his horse's pack on something so trivial.

Now it was just as good an excuse as any to leave Sid and Kalen alone for a moment, though they weren't likely to get very far in the span of time between his exit and his return. As Sid settled herself in the living room, Ian walked into the kitchen and opened the cabinet where he'd stored the Corona. He pulled out two bottles, and took his time hunting down something to open the caps with.

Back outside, the horses stopped running and grew still, gazing off into the distance with their ears facing forward. Dusk swatted something on her flank with her tail.

Kalen Holliday

Kalen extends his no retreat and no attack philosophy to Sid's approach.  His eyes track her movements, all wary distance.  He does not flinch away from her, makes no move to prevent her from touching him or to push her away after she does.

Before, he has relaxed into contact.  He relaxed the night he curled up with her and Lena on the couch in another world's version of this very room.  He relaxed and smiled the night she paused to touch him while he was collapsing on Pan.  He does not relax now.  His eyes stay wary.

"Is this what people who don't hate each other do?"  His voice is quiet and full of the kind of distance settling against his side has not crossed.  But there is no anger now.  Nothing cold.  Nothing barbed.  Nothing venomous.

His attention is almost entirely on Sid.  There is a sliver of it on where Ian went.  Not so much, in this moment, is his attention on the horses.

Sid

"Shhh," she says, resting her head against his shoulder.  She takes his hand in both of hers, rolls her head to look at it.  Against her pale fingers Kalen's skin is almost ruddy by comparison.  "Stop saying the wrong things and just listen."

Which is when she goes silent.  One hand releases his.  The one still holding him presses the back of his hand against her chest, where her heart beats steady and strong.

She lifts her head enough to listen for Ian, moving around the kitchen.  Her attention, at least for the moment, doesn't shift to the windows or the horses.  Nestling against Kalen's shoulder, she says, "If you have something to say to me, say it.  Then tell me if you found anything in the library."

Demiurge

Ian could hear the low murmur of Sid and Kalen's voices in the living room. Eventually he found a bottle opener and popped the caps off the beer, smelling the contents with a less-than-enthusiastic expression. He leaned against the kitchen counter and gave a quiet sigh, imagining for a moment a world where so many things were different.

After a while he picked up one of the bottles and drank from it. He did not immediately return to the living room.

Outside, the horses continued to watch whatever they were watching, gazing off in the direction of the road with their posture alert and ready. As of yet, none had given any sign of warning. (And no one was looking at the horses now anyway.)

Kalen Holliday

"It was a real question."

For a second it seems he will not say anything else.  That that is all he is willing to give her.  "Because until Ian asked you, I thought we were friends.  So whatever the rules for this other thing are, I would like to know.

"Perhaps he was right.  And I should have asked you sooner.  But this is the kind of thing I was always given to understand friends do.  They aren't a thing I have much experience with.  Perhaps I am wrong.  But this...has never been something I have considered as an option with people who were not friends or lovers."

He sighs.  "The only books that have text in the library seem to be books that we read.  And only the parts we read.  So perception shapes reality.  We knew that before.  Though I suppose this may be a more extreme version that than we're used to."

Sid

"You thought we were friends," she repeats.  "I thought you didn't like me.  I still do," she says, and sighing she releases him.  Sitting up, she continues.  "Why do there have to be rules?  Rules just lead to expectations and when those expectations aren't met people hurt each other."

Her gaze lowers to the hands now lying limply in her lap.  "That's childish, I guess.  But we're connected.  Even if we don't like each other we're connected.  We've shared things.  We worked together once.  We have to work together here if you want to get out of this."

The library.  Sid lifts her chin and stares at the ceiling.  "Like a dream.  How do we wake up?"

Demiurge

Right around the time that Kalen started talking about the books in the library, Ian finally reappeared. He moved with a deceptively relaxed gait down the stairs that led into the living area, carrying two open bottles of Corona in his hands, and when he reached the sectional where Sid and Kalen sat he held one of them out for Sid.

"It's terrible. I apologize in advance."

If this place was a dream, it was unlike any that Ian had experienced before. That made it all the more difficult to understand how to wake from it.

Suddenly, his posture went still. His eyes were on the horses. And further... on the shadow of something he'd spotted in the road beyond. Whether Sid reached for her beer or not, he didn't release it. Instead he said, "There's someone out there."

Kalen Holliday

"So we were both wrong.  I am only trying to clarify because trust only got us here," Kalen says softly.  "Perhaps I was the only one of us that did that.  I'm not going to pretend I knew what you were or weren't thi-"

Kalen stops talking when he sees Ian go still.  He rises, which puts him close to Ian, but he doesn't take the last step or two to close the distance, just turns his attention to the window.

Sid

Sid does not, in the end, accept the bottle of terrible beer.  She was listening to Kalen, but when Ian went still she turned to look where he was looking.  Trust.  Sid trusts people to varying degrees.  She trusts that Ian wouldn't freeze and draw attention to the window without reason.

Someone out there.  Sid rises, but she doesn't stay in the living room.  Instead, her conversation with the Hermetic put on pause she hurries to the kitchen, to find a knife, something she can use to defend herself or cast, whichever ends up being called for.  When she finds one, she runs the edge of the blade against the back of her hand, just enough to raise a few tiny droplets of blood (in this world she has to be careful about how she does this work).

[Life 1/Matter 1: scanning, practiced]
Dice: 3 d10 TN3 (6, 7, 9) ( success x 3 )

Demiurge

The thing on the road that Ian was looking at; that the horses were looking at - it was another horse. Pale and dusky in the shadow of the setting sun. It moved at an exhausted gait, walking with its head down and its sides heaving. And atop its saddle sat a small, indistinct dark-haired rider.

Sid was on her feet in a moment, moving to fetch her knife. Ian quickly set the beers down on the nearest end table (potential distraction now forgotten in the face of possible danger) and ran to get his sword from where he'd left it leaning in the hallway.

"I'm going out. Kalen, get a gun and cover me." He glanced toward Sid as she worked her effect, waiting for some sign from her that they weren't about to walk into a trap. Meanwhile, he slung the katana over his shoulder and placed his hand over his heart, focusing on the flow and rhythm of his own blood.

[Life 1, diff 4 -1 (practiced)]
Dice: 2 d10 TN3 (2, 7) ( success x 1 )

Demiurge

What Sid finds when she casts out her senses is this: there is a horse approaching the house. A horse and a living, human rider. A girl, somewhere around the age of 12 or 13. Both of them are exhausted from overexertion, and the girl's body is malnourished from lack of food.

Kalen Holliday

"For the record, I already hate this plan."  Kalen sighs.  "Be careful."

Which is not, in any way, actually like stop.  And, provided Ian heads out, he does grab his rifle from where it is waiting by the door and step outside.  Once outside though, with the horse and figure in sight, he does not continue toward them.  Instead he stops and aims the rifle at the figure atop the horse.  Just in case.

And tries to remember to breathe.  It will be fine.  It will be better than last time.  It will be fine.

Sid

"It's okay," says Sid after Ian speaks.  It's the first time either of them have heard her voice raised.  Not shouting, as she did before they faced the walkers, but raised.  Louder, distinct, sharp.  Then her knife is clattering back onto the counter as Sid rushes out the nearest exit.

She goes without hesitation and without telling either Ian or Kalen to prepare to cover her.  Chances are, even if she had picked up on something else out there she wouldn't tell them to cover her.  Get ready, yes, but not cover her.

So, they all end up outside.  "It's okay," she says again, brushing her hand over Kalen's shoulder, the touch light and terribly brief.  Sid hurries to the side of the strange horse, running her warm hand along its neck before reaching up to gather the rider to her.

"It's okay," she murmurs when she has the child in her arms.

Demiurge

[Extending]
Dice: 2 d10 TN4 (4, 5) ( success x 2 )

Demiurge

Kalen left the house ahead of Ian, who waited just long enough to confirm what Sid had said before he ushered himself out the door at her side. And then it was Sid who ran ahead, while Ian reached out to touch the long muzzle of Kalen's rifle and nudge it safely toward the ground.

"Wait. It's a kid. I don't think anyone is with her, but keep an eye out anyway."

He wasn't so quick to rush forward as Sid was, but he wasn't long behind her either, jogging through the grass until he reached the road where the horse now stood. It was a white mustang stallion, wearied and exhausted from hard travel, but though it looked about ready to fall over, its first instinct was to rear its head and shy away from Sid's sudden approach. The girl, though... she was in bad shape. Barely conscious and delirious as Sid herself had been after days of fasting. She didn't put up much fight except to mumble, "You hurt me, I'll kill you." And her hand strayed toward the pistol strapped to her belt, as though to grab hold of it, but then Sid was reaching up and the girl was falling into her arms.

And now the stallion grew still, if for no other reason than to keep his rider from falling onto the pavement. But he turned his head and watched the two of them with wide dark eyes that somehow, despite his condition, held a spark of challenge.

"I'll get the horse," Ian offered, and he stepped forward to take the stallion's reigns. It flared its nostrils and gave another wild jerk of its head, but when Ian raised his hand and uttered a quiet, "shhhh..." it calmed down enough to let him handle it.

Kalen Holliday

Kalen barely glances at Sid when she touches him.

"I have known plenty of dangerous children," he murmurs.  Still, he lets Ian nudge the rifle down.  And he watches over them.  Ian and Sid and a child they've decided to save and her horse.

He does not tell them to check for bite marks.  He does not warn them not to get attached until they know.  Not to hope that she's safe now.  He barely lets himself look at the girl, but if they have any hope...he doesn't try to ruin that.  It will be crushed or not.  Fate doesn't need his help with that here.

Sid

Sid picked up nothing, neither undead nor virus nor serious injury on the girl or her horse, before she rushed out.  If there was time to respond to Kalen's warning - well, there's not.  And then Sid is ignoring a challenging stallion to gather up his charge.

When the girl threatens Sid, the Verbena, without so much as a flicker or a twitch of humor, says, "Not in your condition you won't."  And when she has her, "We'll see if we can fix that."  Her tone is gentle and her embrace is warm, comforting as Sid adjusts the weight of the girl so that her head lolls against her shoulder.  If the child is infected and somehow Sid's scan for Life patterns missed it, Sid makes herself an obvious and easy target.

Ian is going to see to the horse.  Sid nods.  She would ask Kalen to help, but he has already shown an unwillingness to listen to her.  Sid moves past him into the house and carries her into the living room that they all recently vacated.  As she lowers the girl to one of the couches, she asks, "Where're you from?"

Demiurge

[Mind 2 - beast speech, diff 5 -1 (slow)]
Dice: 2 d10 TN4 (4, 8) ( success x 3 ) [WP]

Demiurge

The girl didn't have any bite wounds. Sid and Ian already knew that. She had bruises and cuts: some old, some new - none serious. She hadn't eaten in days. Hadn't slept in a while either. But she was alive and uninfected.

That didn't mean she wasn't dangerous, as Kalen pointed out. Maybe not now, but later when she woke up. Later was a hypothetical they could deal with when it arrived.

Perhaps Kalen expected Ian to offer some resistance to the notion of taking in a stray. Ian, who of the three of them had been the most inclined to avoid other survivors. But he didn't. Because she was a kid in obvious need of help, and he was still a human being.

The horse wasn't in great shape either, but it resisted being separated from its rider, following along after Sid until Ian finally put a hand out to the beast's sweat-soaked neck and uttered another soft murmur. He met the horse's eyes when he spoke, speaking in low, calming tones.

"It's alright. We aren't going to hurt her."

And that was all that Sid would be able to hear before she ascended the steps back into the house with the girl, leaving Ian to tend to the exhausted horse. Despite her current state, the girl's weight was a noticeable burden in Sid's arms. She was tall for her age, and athletic, and it took a bit of effort to get her into a comfortable position. Sid was right though, the girl wasn't likely to do her much damage at the moment, even if she could get to her firearm.

The kid allowed herself to be carried into the house without much protest, and when Sid laid her out on the sofa, her eyes fluttered open briefly to take in the high ceiling. They were dark brown, her eyes. Large and deep and framed with heavy lashes.

"South Dakota," she mumbled. And then, "Don't take my gun."

Kalen Holliday

Kalen watches Ian with the horse and lets Sid step past him into the house.

"I'll be back out in a moment," he says.  He doesn't raise his voice.  He knows he doesn't have to.

Kalen slips back into the house only long enough to grab a few things that he sets down beside where Sid has put the girl.  A blanket.  Some water.  Something Sid can give the girl to eat.

But he does not stay.  Instead he goes back outside to watch Ian and the horse.  He does not try to get close to that horse.  He doesn't think the horse would love that and he doesn't think Ian needs help with the horse.  Any more than Sid needs help with the girl.  But, if he's going to be of no use, he'd rather be of no use with the one of them he can get along with.

Sid

"Thanks," she says to Kalen when he sets the things down near her.  She doesn't expect him to respond, doesn't have time for him just now.

She takes the water, holds the girl's head up, and offers her a small sip.  "Easy.  Not too much or you'll be sick.  I won't take anything from you if you say you'll do the same.  I'm Sid.  That was Kalen.  Ian is looking after your horse.  Are you alone?"

Demiurge

Ian had already pulled the horse's gear off by the time Kalen reappeared. The two of them (Ian and the mustang) were in the pasture near the stable entrance, and Ian was running his hands slowly over the horse to check for injuries (and to calm it down.) Nearby, the three mares stood with their heads raised, watching the scene with wary interest. Ian paused briefly at the sight of Kalen. "Do you need something?"

Back in the house, Sid lifted the girl's head up and offered her water. For a moment, the girl's eyes wove in and out of consciousness, but then she felt the cup at her lips and blinked, taking a couple of slow but greedy swallows. When she was done, she looked at Sid and nodded. A drop of water ran down her chin, and she wiped it away with a shaky hand.

"Yeah. I was with some people, but we got taken. Now it's just me." She didn't elaborate on that. It didn't seem like she wanted to. "Thanks for the water. I'm Trey."

Kalen Holliday

Kalen smiles, very faintly.  "I need a lot of things.  I don't think the universe is going to cooperate though."  He sighs.

"Just-"

Just he doesn't want to see their perhaps rescued child right now because she calls to mind thoughts of the one whose ashes he mixed with earth and pumpkin seeds not so far from here.  Just the last time he tried to ask anyone questions he drove her away.  Just he doesn't want the tension between him and Sid to spook the girl.

"-wanted to be out here in case something was chasing her."

Sid

Sid doesn't intend on asking her to elaborate.  They've all been through things since ending up in this world.  Although she does wonder, is this place as dream-like to this girl as it is to them?  Is she part of it like the horses?  Or perhaps is she someone else trapped inside?

Questions to mull over another time.

"It's not just you anymore," Sid says quietly, lowering herself so that she's seated beside the couch.  "You can get some rest.  I'll be here when you wake up."

Demiurge

Kalen didn't think that the universe was going to cooperate with his needs, and Ian didn't offer any counter to that. And truth be told, he'd stayed outside just as much to keep guard as he had to care for the horse. That the girl might have been pursued by someone or something dangerous was a possibility that had certainly not escaped his attention. But they didn't both need to be here, and if Ian hadn't remembered what Kalen had told him about the boy back in Kansas, he likely would have snapped at him.

But he did remember. So that didn't happen. Instead Ian led the horse to the water trough and left it to drink its fill. Then he walked to the edge of the pasture and rested his hands on the fence.

"The girl had a gun. We shouldn't leave her and Sid alone."

It was calm and reasoned, the way he said it.

"I'll go in, if you want. Keep an eye out." Then he pushed up over the fence and hopped onto the other side, making his way toward the house.

Inside, Sid offered the girl the only reassurance she could give, but it was an important one: it's not just you anymore. And maybe the girl didn't entirely believe that, but she didn't offer any objections. Instead she nodded and settled back on the couch, letting her eyes slide shut. She was asleep within a matter of seconds, breathing rhythmic, shallow breaths.

And for the rest of that night, at least, the road and the woods outside were quiet.


8:00 PM



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